Le Démon
Opéra de Anton Rubinstein
100 x 140 cm et colonne Morris
offset quadrichromie
Théâtre du Châtelet, Paris
2002
Publié dans "Typography Workbook",
Timothy Samara,
Rockport Publishers, USA, 2004
[...] The forms of the letters in Démon are
altered to communicate the idea of the
Devil or Hell - the counters are streched,
and the stroke weights are skewed,
horns have been added to the initial D,
and the tops of the letters have been
pulled and de-formed to evoke flames
and canyons... |
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